Sizani Baloyi (b. 1994, Giyani, Limpopo) is a Johannesburg-based visual artist working across painting, sculpture, and printmaking.

Sizani Baloyi (b. 1994, Giyani, Limpopo) is a Johannesburg-based visual artist whose practice spans painting, sculpture, and printmaking. Since moving to Johannesburg in 2001, he has established himself as a significant voice in contemporary South African art, working from his studio in a small informal settlement community in Soweto.

Baloyi's creative path began early. While at ClipValley Primary School, he won an art competition that brought recognition not just to himself but to his entire school. He continued to develop his artistic skills at PJ Simelane Secondary School, where he excelled in Visual Arts and graduated in 2014 as one of the school's top performers in the subject.

His formal training came through Artist Proof Studio, where he enrolled in 2015 to study professional printmaking. Over four years of dedicated study, Baloyi honed his technical skills and artistic vision, graduating in 2018. During his time at the studio, his work earned significant recognition, including winning the Johannesburg Chamber of Commerce Art Competition in 2017. After completing his formal studies, he undertook an internship with William Kentridge, one of South Africa's most internationally acclaimed artists, further deepening his practice and artistic perspective.

Over the past several years, Baloyi's work has steadily gained visibility within the South African art world. He was featured by Design Indaba in 2020 as a "Master of Art" and participated in the Turbine Art Fair Unearthed in 2021. He has exhibited in numerous group shows and collaborated with galleries as an associate artist, building a strong presence within the contemporary art community.

A major milestone came in 2025 with his first solo exhibition, Like Birds in the Cornfield, which marked a significant moment in his artistic career. Baloyi is now a full-time practicing artist, fully committed to his creative work.

Central to Baloyi's artistic practice is an exploration of socio-economic realities in South Africa. His work engages deeply with themes of inequality, resilience, and hope, with particular attention to the lived experiences of marginalized communities, especially those in informal settlements. Through his paintings, sculptures, and prints, he creates a visual language that speaks to the complexities and dignity of these communities, offering both critique and affirmation.